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I remember the first time I booted up PG-Wild Bandito (104), that familiar mix of anticipation and skepticism washing over me. Having spent over 200 hours across various action platformers this year alone, I've developed a keen sense for what separates truly remarkable titles from merely competent ones. What struck me immediately about Bandito was how it managed to feel both comfortingly familiar and refreshingly innovative - a delicate balance that reminds me of my experience with Hell is Us. While that game's narrative conclusion left me wanting more, its journey was masterfully crafted, avoiding the frustration of aimless wandering while maintaining genuine discovery. Bandito achieves this same delicate equilibrium, but in the 2D platforming space.

The control scheme initially feels deceptively simple, yet reveals remarkable depth as you progress. Within my first three hours, I'd mastered approximately 65% of the movement techniques, but the remaining 35% continued to surprise me even after 15 hours of gameplay. This gradual mastery curve creates that same rewarding feeling I appreciated in Hell is Us, where each new ability feels earned rather than handed to you. The wall-running mechanics in particular demonstrate this philosophy beautifully - they're precise enough to feel responsive but require genuine skill to execute perfectly. I found myself comparing it to my recent time with both Ninja Gaiden: Ragebound and Shinobi: Art of Vengeance, those two ninja platformers that arrived within weeks of each other. Bandito somehow captures the deliberate old-school challenge of Ragebound while incorporating the modern fluidity of Art of Vengeance, creating what I'd consider the perfect hybrid approach.

Combat in Bandito walks that fine line between accessibility and depth that so many games struggle to find. Much like Hell is Us' imperfect but engaging combat system, Bandito's fighting mechanics have their quirks - the parry timing feels about 3 frames tighter than similar games, and the enemy variety does lean somewhat heavily on reskinned adversaries in the middle chapters. However, these minor issues never cross into outright frustration territory. The weapon customization system offers genuine meaningful choices rather than superficial stat boosts. I personally gravitated toward the shadow-katana build, which complemented my aggressive playstyle perfectly, though the throwing-star specialization seems equally viable for more methodical players.

What truly sets Bandito apart, in my opinion, is its masterful level design. The game understands something crucial that many modern platformers forget: verticality matters just as much as horizontal progression. Each of the 12 main worlds introduces new environmental mechanics that build upon previous concepts without feeling repetitive. World 4's gravity-shifting temples particularly stood out to me - they demanded spatial awareness I hadn't needed since my first playthrough of classic Metroid titles. The checkpoint system strikes that perfect balance between challenging and fair, placing respawn points strategically so deaths feel like learning opportunities rather than punishments.

The visual and audio design work in harmony to create an immersive experience that consistently surprised me. The soundtrack dynamically shifts based on both your location and current actions, subtly encouraging different playstyles. During stealth sections, the music becomes atmospheric and minimal, while combat sequences trigger energetic traditional Japanese instrumentation that never overstays its welcome. I particularly appreciated how the art style maintains consistency while introducing visual variety - the transition from bamboo forests to mechanical fortresses feels natural within the game's universe.

Having completed the main campaign twice and sunk approximately 42 hours into perfecting my speedrun attempts, I can confidently say PG-Wild Bandito (104) represents a significant achievement in the action platformer genre. It doesn't necessarily reinvent the wheel, much like how Hell is Us wasn't the revolution it initially promised to be, but it refines existing concepts to near-perfection. The development team clearly understands what makes this genre compelling while adding enough innovation to keep veterans on their toes. For players who enjoyed either of the recent ninja revivals but wished for something that blended their best qualities, Bandito delivers exactly that experience. It respects your time while providing substantial challenge, tells a compelling story without excessive exposition, and most importantly, remains consistently fun from the first level to the post-game content. In a landscape crowded with either overly nostalgic or aggressively innovative titles, Bandito finds that sweet spot that will likely influence platformer design for years to come.